The Format Page

 Stage Format

Your story continues. 

We've included links to free Windows software & many other alternatives...They're also posted in another area here...but I want you to have the links available for formatting in most software.

"Yes, there is a proper way to format your script. It's just that people don't quite seem to agree what that is. What follows, however, is a pretty good format that most manuscripts seem to follow these days. This was prepared for you with love and passion from Brian Thorstensen"

http://online.sfsu.edu/rconboy/submitting.html

I've also added here the Instructions for doing this in Word. In that document, I've formatted it using the correct template. You can save the document as a Test document, and use it for your own writing. Just replace the text I have in the document. You'll need to download the file when prompted.

Here's the link to that document:

Word Format for  Play Writing

Open Office?  Here's a link that will take you to the infromation of how to obtain, install, and use the template for the Stage.

Openoffice Stageplay

Writer Duet is Cloud based & Free Software  for Scripts. WriterDuet  features real-time collaboration, online/offline writing, and infinite revision tracking. As well, it has A Stageplay template. 

Just sign up, NO NEED to purchase the software in order to use it. And check out their Stageplay Template. It works really well

https://writerduet.com/

YOUR STAGEPLAY

It began with the idea; with your proposal. Other writers in your group responded to your idea & you offered your views on their ideas. Now, you've had enough time to think of story, characters and something about your scene-settings and time period. 

Then Sound arrived. Now we add other elements including something the other media don't: because we have a theatre and a stage, we may create perspective by actually adding what the audience is providing - real time in real-time, & we create a kinesthtically genuine perspective.   Motion & stillness, light & darkness, O we love sound - it feels so much like "now" that it will shake us to the core. That's the Stage.
We learn by doing & no one expects you to know all this as you enter a workshop. Takes a life-time of just listening and writing. If you cn do audio to text, speak your text into the phone.  and start using sound itself as your driving and shaping approach.  There's so much to learn that we continue like this for a long, long time. It is not easy & yet it's oddly necessary and once learned, it's body-knowledge.

Now - The Stageplay.

You've already tuned your ears to let you know the elements of story, and know how powerful it is to tell stories in the dark. In theatre that's where we start in most plays - in the dark.

As the audience settles, it gets comfortable, adjusts to uncomfortable seating, clears throats, and then waits - the lights often dim,vanish and then, from the darkness of the stage, words and light bring us the story, the dialogue and now - motion and visible objects.

You'll find some interesting differences as you explore theatre and film. There are very different format approaches - and that has to do with stage geography. 

It's very simple really - the stage directions are from the Point of view of the Performer; whereas, in film, directions are determined by the camera. 

She's facing the audience. 

She holds up her right hand - that's where Stage Right (SR) is located - even though, to the audience, it appears on their left.

She points to her Left & ... You guessed it - That's Stage Left (SL) - her Left hand.

Center stage is center stage no matter what the stage.

Upstage is what looks like the back of the stage to us, and downstage is towards the front!

Up is down, 

down is up - 

left is right, and right is left. 

Check the Glossary:

Scene changes are the same in all formats - a jump in time and/or a shift in continuous space & you have a new scene.

I suggest keeping the focus narrow in your stage play. Best to work with only a few characters initially. "Waiting for Godot" has five characters, and one of them is never seen, yet the whole world is represented in that simply constructed stageplay.

A couple of scenes are usually fine. If it takes a few more brief scenes to do the job you wish, go ahead and try it. If you find that what you've written turns out to be a monologue or a one-woman performance piece, then that will be also be fine.

http://www.singlelane.com/escript/fmqa1.htm